The fascination with heterotopias has been present in David Možný’s work since the beginning (he used this word as the title of the first exhibition he prepared in 2002 for the exhibition space operated by the Brno House of Art) and influences him to this day. A prime example of how this phenomenon can be processed artistically is the installation Lowdown, which is disturbing, among other things, precisely because two different heterotopias meet in one place: a park with an airport hall. It’s basically a simple idea, but not simple in the sense of stupid. Although David Možný claims that the work is not conceptual art, behind his simple idea is a long-term interest in sociology, philosophy and cultural anthropology. As the second source of thought – next to the already mentioned Foucault – Možný draws attention to the publication Non-places by the French anthropologist Marc Auge. In this book, Auge comes up with the new term „nonplace“, which refers to spaces evoking impressions of transience, in which human beings remain completely anonymous, and which do not have enough meaning to be considered „places“. In the introduction to this study, Auge tells the „story“ of a man who arrives at the airport, parks his car, checks his suitcase, collects his boarding passes, goes to the duty-free shop, boards the plane. In principle, nothing major will happen here, it is a description of the atmosphere we associate with airport halls and other similar places. Airport seats are so significant for this space that we immediately remember this feeling after seeing them. Added to this is the unexpected connection of two realities, although the benches belong in the park, they are not supposed to look like this, moreover spatially deformed into a manipulated reality, which subconsciously attracts us to the work.